Some of Bermondsey’s characters are highlighted in London News Online.
James Allen was killed by a falling plank in a wood yard. James Allen, who was married, was in fact a woman. After her death, a post mortem found she might have had a child at some stage. It became known as the case of “The Female Husband”.
The London Standard commented “her equivocal lord” was “beautifully shaped, and his legs and feet particularly well made”.
Allen’s wife’s father said: “Allen was as handsome a young man as ever the sun shone upon” when he married his daughter.
London Online notes:
Public interest in James Allen led to the publication of pamphlets and ballads. No law barred women from cross-dressing. But some were prosecuted for financial fraud – marrying a woman to take her dowry.
Then there was Thomas Walker, the ‘She-He Barman of Southwark’, who profited from public curiosity about how a weak and feeble woman could live as a man by touring the country singing songs about his life.
The Southwark QueerStory exhibition will be on at Peckham Levels from Thursday, February 15 until Wednesday, February 28 from 10am to 11pm each day. The exhibition includes 1930s photographs of Bermondsey lad Ralph Hall, living a life of domestic happiness with his lover Monty, and their love letters written when Ralph was posted off to war.
Pub drag culture of the 1960s is celebrated as well as the emergence of the gay disco scene pioneered by DJ Tricky Dicky in 1970s Camberwell, as well as the saucy drag shows and boozy dancing at the Ship & Whale.
William John Bankes | National Trust Images/Angelo Hornak/NTPL/Angelo Hornak | 17161gh
A two-month project examining the life and exile of a man has gone on display at the stately home he inherited in 1834 but from which he later had to flee.
William John Bankes of Kingston Lacy, Dorset, was forced out of Britain because of his gay relationship with a soldier.
His stately home is now owned by the National Trust, who are mounting an exhibition to mark the 50th anniversary of the partial decriminalisation of male homosexuality in Britain. The exhibition includes a facsimile copy of the 1533 “Act for the punishment of the vice of buggery” alongside the 1967 Act and the 2004 Civil Partnership Act.
There are also a collection of 51 ropes hanging in the entrance hall, representing men aged between 17 and 71 who were hanged for same-sex acts during the lifetime of the house’s owner. The last two ropes hang next to each other representing two labourers, John Smith and John Pratt, who were caught together and executed together.
Bankes would have suffered the same fate because it was the second time he had been caught with a man. His wealth allowed him to escape and live in France and later Italy, from where he continued to remotely transform the house into a Venetian Renaissance palazzo.
The Exile exhibition will run from from 18 September 2017, the day Bankes went in to exile, until 12 November 2017, with a rainbow flag flown from the property for the duration.
Jason Fossett | Press Association | 17147
Jason Fossett has been jailed for life after setting fire to a busy south London gay bar, the Two Brewers in Clapham, for the second time.
Fossett piled rubbish against the fire exit of before setting it alight and fleeing on March 20. He pleaded guilty to arson with intent to endanger life at Inner London Crown Court. He could not remember starting the fire after “having a couple of drinks”.
He was sentenced to life in prison with a minimum sentence of three years and 244 days.
He was traced through his bank card after CCTV footage showed him buying two drinks at the bar on the night of the arson.
Officers searched his home and found receipts from the Two Brewers for that night, and a red leather satchel which matched that seen on the CCTV.
In 2004, Fossett was jailed for eight years for targeting the same venue in an arson attack. Police said there was no suggestion the attacks were hate crimes, although Fossett’s motivation is not known.
A clip from the film | Dave Belton/CHE | 17122
The film “David Is Homosexual” was made for the Lewisham branch of the Campaign for Homosexual Equality. The film was written by Wilfred Avery and filmed by Dave Belton.
An educational film, made in 1976, it tells the coming-out story of the titular David, a repressed office worker whose mum and dad scream abuse at the telly when gay rights marches appear on the news.
During filming | Copyright control | 17123
“David Is Homosexual” had a long lifespan, touring the country until 1979. At a screening for trainee gas fitters and plumbers at a technical college, the filmmakers were greeted with a chorus of “Backs to the wall, lads” when setting up their equipment. After seeing the film, the quizzical apprentices had softened their tone. “Are you two lovers, then?” asked one, genuinely interested, from the back.
The Lewisham branch of the CHE and other groups helped raise funds for the film with jumble sales.
A scene from “My beautiful laundrette” | Oliver Stapleton | 17102
A new exhibition at the British Library, London, “Gay UK: Love, Law and Liberty” explores Britain’s evolving attitudes towards homosexuality. Original literary manuscripts and rare prints of newspapers and novels document the “transformation in society’s attitudes towards gay love and expression”.
A memo from the lord chamberlain’s office, dated October 1958, proposed marginally greater freedom for gay playwrights. “For some time the subject of homosexuality has been so widely debated, written about and talked about, that it is no longer justifiable to continue the strict exclusion of this subject from the stage. … I therefore propose to allow plays which make a serious and sincere attempt to deal with the subject.”
The exhibition includes a manifesto from the Gay Liberation Front, notebooks and journals from writers including Sarah Waters, Kenneth Williams and WH Auden, a never-before-seen annotated script by Hanif Kureishi for the Oscar-nominated film “My Beautiful Laundrette”, and the first edition of Virginia Woolf’s “Orlando”.
John Hervey was a key figure in 18th Century British Politics.
Born into aristoracy as the second Baron of Ickworth, he became a Member of Parliament for the Whig Party and held appointments including Lord Privy Seal.
His close friend Princess Caroline became Queen to King George II.
Hervey was bisexual, and had a wife who bore him eight children; he had several mistresses, but the love of his life was Stephen Fox.
The satirical poet Alexander Pope was jealous of Hervey’s friendship with a lady who had rejected him, and wrote a poem “Epistle to Dr. Arbuthnot” in which he portrayed Hervey as Sporus, a young Roman who was castrated by Emperor Nero who then married him.
Pope’s poem became a template for putdowns of gay men, creating the stereotype of gay men being effeminate and camp.
A new book, “The Collected Verse of John, Lord Hervey” collects together for the first time Hervey’s own poetry, including this poem he wrote to Stephen Fox in 1731:
For not the Joy of Beauty’s open arms
Nor other friendships, nor Ambition’s charms
Defraud thy Empire of the smallest part
In this engross’d, this undivided Heart
You rule unshaken on that worthless Throne
My life the tenure, and the whole thy own.
Cambridge University Press | 17083
The Rt Hon John Hervey, 2nd Baron Hervey PC, born on 13 October 1696 and died on 5 August 1743.
The Critics | Henry Scott Tuke | Warwick District Council | 17064
London’s Tate Britain held its first show dedicated to “queer art” -“Queer British Art 1861-1967” to mark 50 years since the decriminalisation of male homosexual acts in England and Wales.
“We have works which demonstrate lots of different attitudes, from anxiety to celebration,” Curator Clare Barlow told the Observer, adding that other items came to acquire notoriety by accident. Walter Crane’s languorous 1877 painting, The Renaissance of Venus, is a good example. “Crane’s wife did not want him viewing or drawing nude women, so instead he used a well-known young male model, Alessandro di Marco, to stand in for the goddess of love.”
The exhibition includes a full-length portrait of Oscar Wilde by Robert Goodloe Harper Pennington, given to the writer as a wedding present by the artist and now being shown publicly in Britain for the first time. Next to it was Oscar’s prison cell door.
Queer British Art 1861-1967 was at Tate Britain, London SW1P, from 5 April to 1 October 2017.