The Crowbar, New York, 1994 | Posed picture | Luis Carle | 17124
Luis Carle is a New York based artist-photographer who was born in San Juan, Puerto Rico in 1962 and moved to New York City in 1984 to study photography at Parsons School of Design. His photos have been exhibited in many countries.
He sees his work as a bridge between the gay and straight communities, between the younger and older generations of the L.G.B.T. community, and between the past and the present. He was 17 when he came out in San Juan in 1980, and in subsequent years witnessed the AIDS crisis, the culture wars, and the march toward broader gay rights. All along, he made pictures of his community and the seismic waves that were reshaping it.
Luis Carle, 2017 | Jake Naughton | 17125
To preserve their memory and the contributions of the Puerto Rican LGBTQ community, in 1992 Carle formed a collective of Puerto Rican artists called the Organization of Puerto Rican Artists, Inc. (O.P. Art, Inc.), a supportive group of about 100 creative people.
“My generation was the one between oppression and freedom,” he said. “I feel proud of seeing both sides. I was right there in that period of time and my work documented some of the magic that went on in those days. A lot of that is not going to happen anymore.”
A clip from the film | Dave Belton/CHE | 17122
The film “David Is Homosexual” was made for the Lewisham branch of the Campaign for Homosexual Equality. The film was written by Wilfred Avery and filmed by Dave Belton.
An educational film, made in 1976, it tells the coming-out story of the titular David, a repressed office worker whose mum and dad scream abuse at the telly when gay rights marches appear on the news.
During filming | Copyright control | 17123
“David Is Homosexual” had a long lifespan, touring the country until 1979. At a screening for trainee gas fitters and plumbers at a technical college, the filmmakers were greeted with a chorus of “Backs to the wall, lads” when setting up their equipment. After seeing the film, the quizzical apprentices had softened their tone. “Are you two lovers, then?” asked one, genuinely interested, from the back.
The Lewisham branch of the CHE and other groups helped raise funds for the film with jumble sales.
The Canadian government building | Canadian Government Executive | 17119
The Canadian government is expected to become the next country to apologise to former gay staff in the federal civil service, the Royal Canadian Mounted Police and the Canadian Armed Forces who were interrogated and harassed from the 1950s to the 1990s because of their sexuality.
During the Cold War, hundreds of gay men and lesbians in Canada lost government and military jobs because of their sexual orientation during the “LGBT purge”.
Gay men and lesbians in the civil service and the military were believed to pose a security risk, and thought to be vulnerable to blackmail by Soviet agents.
Hundreds of people are believed to have lost their jobs during four decades. Others were demoted, transferred, or denied promotion. Some were given the choice between being dismissed or undergoing psychiatric treatment.
A lie detector | Canadian War Museum | 17118
A notorious “fruit machine”, similar to the lie detector pictured, was developed by researcher Frank Robert Wake. It was a crude detector which was intended to identify homosexuals by monitoring the dilation of their pupils when they were shown pornography. Plagued with problems, the project was mothballed.
Activists have been working for many years in Canada to remedy the situation. In 1992, Michelle Douglas, a former army officer, helped bring an end to discriminatory policies towards gays and lesbians. After being discharged from the army because she was a lesbian, she launched a legal challenge. On the eve of the trial the military settled the case and changed its personnel policies.
In 1996 the Canadian Human Rights Act was amended to include sexual orientation. In June 2017 Canada added gender identity and gender orientation to the Act.
A scene from “My beautiful laundrette” | Oliver Stapleton | 17102
A new exhibition at the British Library, London, “Gay UK: Love, Law and Liberty” explores Britain’s evolving attitudes towards homosexuality. Original literary manuscripts and rare prints of newspapers and novels document the “transformation in society’s attitudes towards gay love and expression”.
A memo from the lord chamberlain’s office, dated October 1958, proposed marginally greater freedom for gay playwrights. “For some time the subject of homosexuality has been so widely debated, written about and talked about, that it is no longer justifiable to continue the strict exclusion of this subject from the stage. … I therefore propose to allow plays which make a serious and sincere attempt to deal with the subject.”
The exhibition includes a manifesto from the Gay Liberation Front, notebooks and journals from writers including Sarah Waters, Kenneth Williams and WH Auden, a never-before-seen annotated script by Hanif Kureishi for the Oscar-nominated film “My Beautiful Laundrette”, and the first edition of Virginia Woolf’s “Orlando”.